陳偉洛,生於香港,創作人及表演者,香港中文大學建築系畢業。其後就讀SEAD (奧地利),並畢業於P.A.R.T.S. (比利時)。於P.A.R.T.S.就讀期間,分別獲歐洲聯盟委員會轄下Creative Europe - [DNA] network及香港賽馬會音樂及舞蹈信託基金頒發獎學金。

近年作品包括《愛若有如果》(2022)、《Click》(2021)及《派對底價》(2021),打開對表演性(performativity) 與編排(choreography)的討論;《朵室》(2022)引發觀眾對身體動作及演出之自行想像;《{POV [TWINK / COUPLE (ASIAN) / EXPERIMENTAL]}》(2021) 及其舞蹈錄像《POV》展示現場與錄像之質地及關連。

過往創作包括獨舞《Everyone knows what it means to think》 (2019) 與Mariana Miranda合編的《/bɪˈtwiːn/》 (2019),探討觀者詮釋表演時的個人選擇及自由。

陳氏曾與Anne Teresa De Keersmaeker、Cristian Duarte、Meytal Blanaru、邱加希、梁芷茵、李偉能等藝等合作。 陳氏於2020年與夥伴成立獨立藝術空間牛吉地,為一個旨在探索如何於香港營運獨立藝術空間及與同業們共享場地資源的藝術企劃。

CHAN Wai Lok, a Hong Kong choreographer and performer completed his studies in P.A.R.T.S. (Belgium) upon receiving scholarships from the [DNA] network supported by Creative Europe under the European Commission and the Hong Kong Jockey Club Music and Dance Fund.

He previously studied in SEAD (Austria) after graduating from the Architecture Studies in the Chinese University of Hong Kong. His recent works include Reverie (2022), Click (2021) and An Auction without Bass (2021) unfolding perspectives in performativity and choreography. Other works include In the Cloud (2022), provoking the audience’s imagination into body movement and performance; and {POV [TWINK / COUPLE (ASIAN) / EXPERIMENTAL]} (2021) and its video version POV, demonstrating the texture and connection between live and video performance.

Democratic interpretation and emancipation in audience has been one of the major genres he has been exploring in his previous solo Everyone knows what it means to think (2019) and his collaboration with Mariana Miranda, /bI'twi:n/ (2019).

He collaborated with various artists including Cristian Duarte, Anne Teresa De Keersmaeker, Meytal Blanaru, KT Yau Cherry Leung and Joseph Lee. In 2020, he, together with his fellows, established an independent art space, ngau4 gat1 dei6, which is an art project exploring how to operate and sustain such art space in local art scene, and sharing spatial resources with fellow artists.