Everyone knows what it means to think (2019)
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有關閱讀表演的過程。
表演者用舞蹈/身體/動作去表達意圖;觀者於當下啟動「思考」去閱讀創作者的「思維」。 整個過程中,閱讀是被動還是互動?舞蹈/身體/動作又能否傳達訊息?
透過剖析個人思考與作品的扣連,邀請大家一起探討共同創作的可能。
參考資料
Credo in Artem Imaginandi by Bojana Cvejic;
A Picture of Stone by Mette Edvardsen;
My Value Your Value Our Value, Artistic Statement by Pavle Heidler;
Choreographing Problems by Bojana Cvejic;
Moving Together by Rudi Laermans
Is dance/body/movement communicative?
In researching dance/body/ movement as a personal coded signifier, we unfold its literacy and readability by decomposing our thinking processes and deconstructing the acts.
Playing with the relations of our ways of thinking and opening up the authorship of interpretation leads to the discourse of acts and thinking.
May readers be(come) co-authors?
Readers’ Reference
Credo in Artem Imaginandi by Bojana Cvejic;
A Picture of Stone by Mette Edvardsen;
My Value Your Value Our Value, Artistic Statement by Pavle Heidler;
Choreographing Problems by Bojana Cvejic;
Moving Together by Rudi Laermans
有關閱讀表演的過程。
表演者用舞蹈/身體/動作去表達意圖;觀者於當下啟動「思考」去閱讀創作者的「思維」。 整個過程中,閱讀是被動還是互動?舞蹈/身體/動作又能否傳達訊息?
透過剖析個人思考與作品的扣連,邀請大家一起探討共同創作的可能。
參考資料
Credo in Artem Imaginandi by Bojana Cvejic;
A Picture of Stone by Mette Edvardsen;
My Value Your Value Our Value, Artistic Statement by Pavle Heidler;
Choreographing Problems by Bojana Cvejic;
Moving Together by Rudi Laermans
Is dance/body/movement communicative?
In researching dance/body/ movement as a personal coded signifier, we unfold its literacy and readability by decomposing our thinking processes and deconstructing the acts.
Playing with the relations of our ways of thinking and opening up the authorship of interpretation leads to the discourse of acts and thinking.
May readers be(come) co-authors?
Readers’ Reference
Credo in Artem Imaginandi by Bojana Cvejic;
A Picture of Stone by Mette Edvardsen;
My Value Your Value Our Value, Artistic Statement by Pavle Heidler;
Choreographing Problems by Bojana Cvejic;
Moving Together by Rudi Laermans
Extended Reading
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編舞/演出 陳偉洛
燈光設計 黎子瑜
Choreographer/ performer CHAN Wai Lok
Lighting Designer Lai Tze-yu
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由香港城市當代舞蹈團舞蹈中心二延體 2019 制作
Producted by 2nd stage 2019, City Contemporary Dance Company Dance Centre
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Everyone knows what it means to think
日期 21.9.2019, 8pm, 22.9.2019, 3pm & 8pm
地點 CCDC舞蹈中心賽馬會舞蹈小劇場
Everyine knows what it means to think
Date 21.9.2019, 8pm, 22.9.2019, 3pm & 8pm
Venue CCDC Dance Centre Jockey Club Dance Theatre
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Photo Steve Li
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Video
Everyone knows what it means to think Trailer
Directors Heiwa Wong and Dino Rib
DOP Dino Rib
Editor Heiwa Wong
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Everyone knows what it means to think Trailer
Directors Heiwa Wong and Dino Rib
DOP Dino Rib
Editor Heiwa Wong
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Performances
In the Cloud
朵室 (2022)
Reverie
愛若有如果 (2022)
Drink and Dance (2021)
{POV [TWINK / COUPLE (ASIAN) / EXPERIMENTAL]} (2021)
An Auction without Bass
派對底價(2021)
Click (2021)
Everyone knows what it means to think (2019)
Dear Deer (2019)
/bɪˈtwiːn/ (2019)
Avenue Van Volxem 175, Etg 3 (2018)
Unidentified creature getting lost in unknown forest: Not found in the MISSING PERSON (2017)
Video works
POV (2021)
Heiwa Wong and Wai Lok Chan
Asaka Namba 難波沙香 (2020)
Nga Yan Cheng and Wai Lok Chan
Architectural Works
Dis-place 位移 (2022)
Siu Man and Wai Lok Chan
Collaborations
Hack the Moment 《合如是》(2023)
Etienne Leung
Six Mouths《品品》(2022)
Unlock Dancing Plaza
We Are Spectacle
《回聲二:人為景觀》 (2021)
Joseph Lee
Mountains, Seas, Panorama
山海流 (2020)
Wilfred WONG
Switch (2020)
Cherry Leung
Action (2020)
Ka Hei Yau
Mise-en-Scène (2019)
Heiwa Wong
Somnia (2019)
Anne Teresa De Keersmaeker
Jolente De Keersmaeker
We were the future (2019)
Meytel Blanaru