Everyone knows what it means to think (2019)

-

有關閱讀表演的過程。

表演者用舞蹈/身體/動作去表達意圖；觀者於當下啟動「思考」去閱讀創作者的「思維」。 整個過程中，閱讀是被動還是互動？舞蹈/身體/動作又能否傳達訊息？

透過剖析個人思考與作品的扣連，邀請大家一起探討共同創作的可能。

參考資料
Credo in Artem Imaginandi by Bojana Cvejic;
A Picture of Stone by Mette Edvardsen;
My Value Your Value Our Value, Artistic Statement by Pavle Heidler;
Choreographing Problems by Bojana Cvejic;
Moving Together by Rudi Laermans


Is dance/body/movement communicative?

In researching dance/body/ movement as a personal coded signifier, we unfold its literacy and readability by decomposing our thinking processes and deconstructing the acts.

Playing with the relations of our ways of thinking and opening up the authorship of interpretation leads to the discourse of acts and thinking.

May readers be(come) co-authors?

Readers’ Reference
Credo in Artem Imaginandi by Bojana Cvejic;
A Picture of Stone by Mette Edvardsen;
My Value Your Value Our Value, Artistic Statement by Pavle Heidler;
Choreographing Problems by Bojana Cvejic;
Moving Together by Rudi Laermans